NOTES: For plan see RIBA96540. This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: For elevation of the parsonage (no. 2) see RIBA96539. This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: The Earl of Jersey wanted to extend his park and in 1814 he came to an agreement with the rector to exchange his land for a new parcel of land between the Bicester and Oxford roads with a new parsonage designed by Thomas Cundy. When the extension of the park was completed around 1825 the parish church was left in isolation half-way between the mansion and the park gates. This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: The Earl of Jersey wanted to extend his park and in 1814 he came to an agreement with the rector to exchange his land for a new parcel of land between the Bicester and Oxford roads with a new parsonage designed by Thomas Cundy. When the extension of the park was completed around 1825 the parish church was left in isolation half-way between the mansion and the park gates. This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: The Earl of Jersey wanted to extend his park and in 1814 he came to an agreement with the rector to exchange his land for a new parcel of land between the Bicester and Oxford roads with a new parsonage designed by Thomas Cundy. When the extension of the park was completed around 1825 the parish church was left in isolation half-way between the mansion and the park gates. This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: The Earl of Jersey wanted to extend his park and in 1814 he came to an agreement with the rector to exchange his land for a new parcel of land between the Bicester and Oxford roads with a new parsonage designed by Thomas Cundy. When the extension of the park was completed around 1825 the parish church was left in isolation half-way between the mansion and the park gates. This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: The client rejected the first two schemes for aesthetic and financial reasons. The vicarage was built to a third design by Scott, similar to the second but simplified with dormers instead of gables.
NOTES: The client rejected the first two schemes for aesthetic and financial reasons. The vicarage was built to a third design by Scott, similar to the second but simplified with dormers instead of gables.
NOTES: The client rejected the first two schemes for aesthetic and financial reasons. The vicarage was built to a third design by Scott, similar to the second but simplified with dormers instead of gables.
NOTES: The client rejected the first two schemes for aesthetic and financial reasons. The vicarage was built to a third design by Scott, similar to the second but simplified with dormers instead of gables.