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Symmetry
Collegiate Church of St John the Baptist, Shottesbrooke, Berkshire: study of two encaustic tiles
RIBA21873
NOTES: These topographical details were drawn by James Deason while in the office of Anthony Salvin. Shottesbrooke church was founded in 1337 by the then Lord of the Manor, Sir William Trussell and is a cruciform church built in the Decorated style.
SS Tuscania: design for a ceiling for the first class lounge
RIBA21956
NOTES: The TSS (Turbine Steam Ship) Tuscania (or 'SS 595') was a luxury liner of the Cunard subsidiary Anchor Line. It was built between 1919 and 1921. It was later purchased by Greek shipping magnate Leonidas Goulandris (1939), who re-named it the 'Nea Hellas'.
Alcazar, Seville: detail from arch and tiled jamb in the Hall of Ambassadors (Salon de Embajadores)
RIBA22668
NOTES: In 1905, while attending the Glasgow School of Architecture, Whitelaw won the Alexander Thomson travelling scholarship and spent a year in Spain and Italy.
Street fountain of Ahmet III, opposite the main gate of the Topkapi Sarayi, Istanbul: detail of decoration
RIBA22714
NOTES: This drawing was probably produced by a local draughtsman for Charles Felix Marie Texier for use in his publications and later presented to the RIBA.
Design possibly for stained glass or marble inlay
RIBA29182
NOTES: This design is attributed to Robert Smythson or his son John Smythson.
Design for a decorative floor border or tread of a step: elevation showing a stylised floral design to be executed in lead and copper
RIBA32375
NOTES: This image is from a volume of drawings (entitled Vol II) by various designers produced for or presented to the Quarto Imperial Club, London, between 1892 and 1897.
Design for a carpet featuring stylised leaves and flowers
RIBA32376
NOTES: This image is from a volume of drawings (entitled Vol II) by various designers produced for or presented to the Quarto Imperial Club, London, between 1892 and 1897.
Design for a book cover to be printed on canvas incorporating stylised birds and flowers
RIBA32381
NOTES: This image is from a volume of drawings (entitled Vol II) by various designers produced for or presented to the Quarto Imperial Club, London, between 1892 and 1897.