NOTES: Around 1842 Donthorn prepared designs for the Deanery (now Prior's Gate) and a double house in Minster Yard flanking the entrance to the Bishop's Palace in Peterborough. This design probably dates from that time.
NOTES: From the 'Large Atlas Folio: Gothic and Italian', a volume of tracings of office drawings made by James Murray during the time he worked in Barry's office, 1839-1847.
NOTES: From the 'Large Atlas Folio: Gothic and Italian', a volume of tracings of office drawings made by James Murray during the time he worked in Barry's office, 1839-1847.
NOTES: From the 'Large Atlas Folio: Gothic and Italian', a volume of tracings of office drawings made by James Murray during the time he worked in Barry's office, 1839-1847.
NOTES: From the 'Large Atlas Folio: Gothic and Italian', a volume of tracings of office drawings made by James Murray during the time he worked in Barry's office, 1839-1847.
NOTES: From the 'Large Atlas Folio: Gothic and Italian', a volume of tracings of office drawings made by James Murray during the time he worked in Barry's office, 1839-1847.
NOTES: From the 'Large Atlas Folio: Gothic and Italian', a volume of tracings of office drawings made by James Murray during the time he worked in Barry's office, 1839-1847.
NOTES: Construction on Lancaster House, the last great Georgian London mansion, began in 1825 for the Duke of York and Albany, the second son of King George III and was initially known as York House. The exterior was designed by Benjamin Dean Wyatt and was only a shell at the Duke's death in 1827. The house was purchased by the Marquess of Stafford (later 1st Duke of Sutherland) in 1828 who commissioned Barry to make extensive alterations, mainly for the interior.
NOTES: Construction on Lancaster House, the last great Georgian London mansion, began in 1825 for the Duke of York and Albany, the second son of King George III and was initially known as York House. The exterior was designed by Benjamin Dean Wyatt and was only a shell at the Duke's death in 1827. The house was purchased by the Marquess of Stafford (later 1st Duke of Sutherland) in 1828 who commissioned Barry to make extensive alterations, mainly for the interior.
NOTES: It is not clear whether this design was executed during Cundy's works at Middleton Park. This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: Cundy also designed alterations and additions to the house (circa 1823-1826). This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.