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Stables
Mamhead Park, Mamhead, Devon: perspective view of the stable block
RIBA21867
NOTES: Anthony Salvin was commissioned by Sir Robert William Newman Bart to work on Mamhead Park between 1825 and 1838.
Design for a farmhouse with offices and stables grouped around a courtyard: plan and elevation
RIBA22936
NOTES: This theoretical drawing is one of a number made by John Webb, possibly during the 1650s. The drawings have been associated with the intention on the part of Webb and Inigo Jones to compile a treatise, possibly with a view to engraving.
Arbury Hall, Warwickshire: the south front of the stables
RIBA25539
NOTES: Sir Roger Newdigate, the owner of Arbury Hall and architectural enthusiast, was assisted by Henry Keene from 1761 in the remodelling of the house in Gothic style. After Keene's death in 1776, Henry Couchman took over as Newdigate's architectural collaborator.
Arbury Hall, Warwickshire: close-up the south front of the stables
RIBA25540
NOTES: Sir Roger Newdigate, the owner of Arbury Hall and architectural enthusiast, was assisted by Henry Keene from 1761 in the remodelling of the house in Gothic style. After Keene's death in 1776, Henry Couchman took over as Newdigate's architectural collaborator.
Lacock Abbey, Wiltshire: the stable court
RIBA26778
NOTES: This abbey for Augustinian canonesses was founded in the early 13th century by Ela, Countess of Salisbury. It was dissolved in 1539 and sold to Sir William Sharrington who converted it into a family home.
Design for a house and forecourt with a semi-circular recess and circular steps leading to the pedimented entrance facade, the forecourt incorporating stables : elevation and plan
RIBA29004
NOTES: This theoretical drawing is one of a number made by John Webb or one of his assistants, possibly during the 1650s. The drawings have been associated with the intention on the part of Webb and Inigo Jones to compile a treatise, possibly with a view to engraving.