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Woodland Cemetery, Stockholm: the Woodland Chapel

RIBA155192
Asplund, Erik Gunnar (1885-1940)
NOTES: Asplund and Lewerentz won the competition for the new cemetery in 1915 and spent the next 25 years developing the cemetery in a landscape of wooded pines populated by small chapels. The Woodland Chapel is by Asplund (1918-1922). See RIBA132316 for a black and white version of this image.

Lister Courthouse, Solvesborg: the judge's seat

RIBA155204
Asplund, Erik Gunnar (1885-1940)
NOTES: See RIBA132372 for a black and white version of this image

Housing and special needs day centre, Hanley Gardens, Islington, London: detail of window seat on the first floor

RIBA155279
Anthony Richardson & Partners
NOTES: See RIBA147736 for a black and white version of this image.

School and Research Centre, Hooke Park, Beaminster, Dorset: detail of prototype wooden bench made using green wood

RIBA155451
Burton, Richard (1933-2017)
NOTES: A school and research centre set up by the furniture designer Jonathan Makepeace to explore uses of timber thinnings from forestry management. With advice from Frei Otto and Buro Happold, Richard Burton was approach for the commission. The centre comprises a workshop and staff house all built using thinnings from the surrounding forest. See RIBA145789 for a black and white version of this image.

De Overloop, housing for the elderly, Almere-Haven: looking out across the garden from the widened end of the corridor adjacent to the balcony

RIBA155622
Hertzberger, Herman (1932-)
NOTES: See RIBA118475 for a black and white version of this image.

Law Courts, Newcastle-upon-Tyne: the upper-level public concourse behind the fourth-floor mansard roof

RIBA155862
Napper Collerton Partnership
NOTES: See RIBA146644 for a black and white version of this image.

Opera House, Glyndebourne, Sussex; detail of the seating in the auditorium

RIBA156064
Michael Hopkins & Partners
NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149345 for a black and white version of this image.

Opera House, Glyndebourne, Sussex: detail of seating

RIBA156066
Michael Hopkins & Partners
NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149347 for a black and white version of this image.

Opera House, Glyndebourne, Sussex: detail of seating with dividing screens

RIBA156067
Michael Hopkins & Partners
NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149348 for a black and white version of this image.

Opera House, Glyndebourne, Sussex: detail of seating with dividiing screens

RIBA156068
Michael Hopkins & Partners
NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149349 for a black and white version of this image.

Opera House, Glyndebourne, Sussex: detail of seating on the upper tier

RIBA156069
Michael Hopkins & Partners
NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149350 for a black and white version of this image.

Opera House, Glyndebourne, Sussex: the seating in the auditorium with the convex and slatted acoustic panels on the wall behind

RIBA156098
Michael Hopkins & Partners
NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149392 for a black and white version of this image.
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