Seating

NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken. See RIBA156444 for a colour version of this image.

NOTES: Asplund and Lewerentz won the competition for the new cemetery in 1915 and spent the next 25 years developing the cemetery in a landscape of wooded pines populated by small chapels. The Woodland Chapel is by Asplund (1918-1922). See RIBA132316 for a black and white version of this image.

NOTES: See RIBA132372 for a black and white version of this image

NOTES: See RIBA147736 for a black and white version of this image.

NOTES: A school and research centre set up by the furniture designer Jonathan Makepeace to explore uses of timber thinnings from forestry management. With advice from Frei Otto and Buro Happold, Richard Burton was approach for the commission. The centre comprises a workshop and staff house all built using thinnings from the surrounding forest. See RIBA145789 for a black and white version of this image.

NOTES: See RIBA118475 for a black and white version of this image.

NOTES: See RIBA146644 for a black and white version of this image.

NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149345 for a black and white version of this image.

NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149347 for a black and white version of this image.

NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149348 for a black and white version of this image.

NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149349 for a black and white version of this image.

NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149350 for a black and white version of this image.