Screens

NOTES: The house was built by Thomas Bourchier, Archbishop of Canterbury, between 1456 and 1486. It passed into Royal possession in 1537 during the Dissolution. In 1566, Elizabeth I presented the house and estate to her cousin Thomas Sackville, 1st Earl of Dorset, who substantially remodelled the medieval palace between 1603 and 1608. See RIBA154641 for a colour version of this image.

NOTES: The house was built by Thomas Bourchier, Archbishop of Canterbury, between 1456 and 1486. It passed into Royal possession in 1537 during the Dissolution. In 1566, Elizabeth I presented the house and estate to her cousin Thomas Sackville, 1st Earl of Dorset, who substantially remodelled the medieval palace between 1603 and 1608. See RIBA161827 for a colour version of this image.

NOTES: The house was built by Thomas Bourchier, Archbishop of Canterbury, between 1456 and 1486. It passed into Royal possession in 1537 during the Dissolution. In 1566, Elizabeth I presented the house and estate to her cousin Thomas Sackville, 1st Earl of Dorset, who substantially remodelled the medieval palace between 1603 and 1608. See RIBA154640 for a colour negative and RIBA161825 for a colour transparency version of this image.

NOTES: The house was built by Thomas Bourchier, Archbishop of Canterbury, between 1456 and 1486. It passed into Royal possession in 1537 during the Dissolution. In 1566, Elizabeth I presented the house and estate to her cousin Thomas Sackville, 1st Earl of Dorset, who substantially remodelled the medieval palace between 1603 and 1608. See RIBA1546310 for a black and white version and RIBA161825 for a colour transparency version of this image.

NOTES: The house was built by Thomas Bourchier, Archbishop of Canterbury, between 1456 and 1486. It passed into Royal possession in 1537 during the Dissolution. In 1566, Elizabeth I presented the house and estate to her cousin Thomas Sackville, 1st Earl of Dorset, who substantially remodelled the medieval palace between 1603 and 1608. See RIBA154632 for a black and white version of this image.

NOTES: This church, built for Evelyn Heseltine, was designed by Charles Harrison Townsend while William Reynolds-Stephens was responsible for the Art Nouveau interiors in the English Arts and Crafts manner. See RIBA133827 for a black and white version of this image

NOTES: See RIBA148142 for a black and white version of this image.

NOTES: See RIBA148143 for a black and white version of this image.

NOTES: See RIBA148144 for a black and white version of this image.

NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149348 for a black and white version of this image.

NOTES: The original house at Glyndebourne was part of Glynde Place and dates back to the 15th century, but has been substantially altered over the subsequent centuries. In 1870 the house was enlarged and encased in red brick by the then owner William Langham Christie. In 1934 John Christie built the first opera house in the garden, consequently making the site world famous for the quality of the performances staged there. In 1994 Michael Hopkins was commissioned to design a new opera house. See RIBA149349 for a black and white version of this image.

NOTES: The wrought iron screen incorporating a figure of Christ was designed by Edwin Lutyens in 1899. See RIBA152802 for a black and white version of this image.