NOTES: Construction began in 1908. The building was approaching completion in 1914, at the outbreak of the first world war, when it was decided to convert it temporarily to a hospital for wounded soldiers to be named the Lady Hardinge War Hospital. It finally opened as a museum in 1922.
NOTES: Construction began in 1908. The building was approaching completion in 1914, at the outbreak of the first world war, when it was decided to convert it temporarily to a hospital for wounded soldiers to be named the Lady Hardinge War Hospital. It finally opened as a museum in 1922.
NOTES: The barn at Bredon is an aisled structure of nine bays, with Cotswold stone walls and a stone slate roof. It is 134 feet long and has an equal width and height of 44 feet, and a loft approached by an external stair. It was distinguished from other great medieval barns in that it was inhabited by the Reeve (the estate overseer) and his family, so contained a fireplace, a stone lavatory and garderobe. It was badly damaged by fire in 1980. It was completely restored in 1983 by Frederick Charles, father of the photographer Martin Charles. See RIBA115010 for a black and white version of this image.
NOTES: The barn at Bredon is an aisled structure of nine bays, with Cotswold stone walls and a stone slate roof. It is 134 feet long and has an equal width and height of 44 feet, and a loft approached by an external stair. It was distinguished from other great medieval barns in that it was inhabited by the Reeve (the estate overseer) and his family, so contained a fireplace, a stone lavatory and garderobe. It was badly damaged by fire in 1980. It was completely restored in 1983 by Frederick Charles, father of the photographer Martin Charles. See RIBA115993 for a colour version of this image.
NOTES: The barn at Bredon is an aisled structure of nine bays, with Cotswold stone walls and a stone slate roof. It is 134 feet long and has an equal width and height of 44 feet, and a loft approached by an external stair. It was distinguished from other great medieval barns in that it was inhabited by the Reeve (the estate overseer) and his family, so contained a fireplace, a stone lavatory and garderobe. It was badly damaged by fire in 1980. It was completely restored in 1983 by Frederick Charles, father of the photographer Martin Charles.