Round buildings

NOTES: This is the monument commemorating the victims of the terrorist attack on March 11, 2004, in Madrid's Atocha station. It is a cylindrical building made of solid blocks of moulded glass, which are glued together with clear acrylic adhesive to give the wall structure a seamless permeability. Inside is a clear membrane printed with commemorative messages that were left by people after the explosion. At night, the natural daylight is replaced by a sophisticated system of illumination that reproduces the variablity of sunlight.

NOTES: This is the monument commemorating the victims of the terrorist attack on March 11, 2004, in Madrid's Atocha station. It is a cylindrical building made of solid blocks of moulded glass, which are glued together with clear acrylic adhesive to give the wall structure a seamless permeability. Inside is a clear membrane printed with commemorative messages that were left by people after the explosion. At night, the natural daylight is replaced by a sophisticated system of illumination that reproduces the variablity of sunlight.

NOTES: This is the monument commemorating the victims of the terrorist attack on March 11, 2004, in Madrid's Atocha station. It is a cylindrical building made of solid blocks of moulded glass, which are glued together with clear acrylic adhesive to give the wall structure a seamless permeability. Inside is a clear membrane printed with commemorative messages that were left by people after the explosion. At night, the natural daylight is replaced by a sophisticated system of illumination that reproduces the variablity of sunlight.

NOTES: The model was produced early in 1999 for the New Millennium Experience Company, the client, and used by them to settle and agree the layout of the various theme exhibits with the exhibitors and sponsors. It is a simplified function model made expressly for this purpose, rather than being an architecturally sophisticated presentational model.

NOTES: The model was produced early in 1999 for the New Millennium Experience Company, the client, and used by them to settle and agree the layout of the various theme exhibits with the exhibitors and sponsors. It is a simplified function model made expressly for this purpose, rather than being an architecturally sophisticated presentational model.

NOTES: The model was produced early in 1999 for the New Millennium Experience Company, the client, and used by them to settle and agree the layout of the various theme exhibits with the exhibitors and sponsors. It is a simplified function model made expressly for this purpose, rather than being an architecturally sophisticated presentational model.

NOTES: The model was produced early in 1999 for the New Millennium Experience Company, the client, and used by them to settle and agree the layout of the various theme exhibits with the exhibitors and sponsors. It is a simplified function model made expressly for this purpose, rather than being an architecturally sophisticated presentational model.

NOTES: The model was produced early in 1999 for the New Millennium Experience Company, the client, and used by them to settle and agree the layout of the various theme exhibits with the exhibitors and sponsors. It is a simplified function model made expressly for this purpose, rather than being an architecturally sophisticated presentational model.

NOTES: The model was produced early in 1999 for the New Millennium Experience Company, the client, and used by them to settle and agree the layout of the various theme exhibits with the exhibitors and sponsors. It is a simplified function model made expressly for this purpose, rather than being an architecturally sophisticated presentational model.

NOTES: The model was produced early in 1999 for the New Millennium Experience Company, the client, and used by them to settle and agree the layout of the various theme exhibits with the exhibitors and sponsors. It is a simplified function model made expressly for this purpose, rather than being an architecturally sophisticated presentational model.

NOTES: This drawing is numbered VIII/1B recto in the Burlington-Devonshire Collection.

NOTES: This drawing is numbered VIII/3 recto in the Burlington-Devonshire Collection. This drawing formed part of Lord Burlington's sequence of Palladio drawings.