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Ornament
Details of Classical carved ornament and decorative borders
RIBA20940
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London, 1881). The engraver of the images in their printed form was Jules Penel.
The Sminthium (Temple of Apollo Smintheus), near Kulaki in the Troad: detail of an Ionic capital, column base and entablature
RIBA20941
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London, 1881) although not engraved and published in this form.
Detail of Ionic capitals and entablature featuring decorative stonework and a carved frieze depicting a procession of women and centaurs
RIBA20942
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London,1881). The engraver of the images in their printed form was Jules Penel.
Detail of Ionic capitals and entablature, with dimensions, featuring decorative stonework and a carved frieze depicting a procession of women and centaurs
RIBA20943
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London, 1881). The engraver of the images in their printed form was Jules Penel.
Details of Classical carved stone fragments featuring decorative borders
RIBA20946
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London, 1881). The engraver of the images in their printed form was Jules Penel.
Detail of an Ionic capital, base and entablature from the temple at Priene
RIBA20949
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London, 1881). The engraver of the images in their printed form was Jules Penel.
Detail of an Ionic capital, base and entablature, featuring a frieze depicting a battle scene
RIBA20950
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London, 1881). The engraver of the images in their printed form was Jules Penel.
Detail of a capital featuring grotesque ornament, Church of San Spirito, Florence
RIBA20953
NOTES: Alfred George Stevens travelled to Italy in 1834 where he spent nine years studying the frescoes and paintings of the Old Masters. In the early 1840s, after attending a design course at the Florentine Academy, he returned to London.
Study of an unidentified decorative scheme possibly from a floor or painted wall surface
RIBA20955
NOTES: This drawing is one of a number of miscellaneous sketches and tracings by Godwin from an album containing items relating to architecture and ornament.
Sketches of ornamental mouldings and a scrolled corbel
RIBA21016
NOTES: This drawing is one of a number of miscellaneous sketches and tracings by Godwin from an album containing items relating to architecture and ornament.
Designs for alterations and additions to Trentham Hall, Trentham, Staffordshire, for the 2nd Duke of Sutherland: elevation of doors to the entrance corridors
RIBA21025
NOTES: Sir Charles Barry was responsible for the remodelling of Trentham Hall in phases between 1834 and 1849.
Designs for King Edward VI Grammar School, New Street, Birmingham: details of decorative carved paterae for above the great fireplace
RIBA21039
NOTES: While working on King Edward VI Grammar School, Birmingham, Barry collaborated for the first time with Augustus Welby Northmore Pugin and the stonecarver J. Thomas, who were later to work with him on the Houses of Parliament.