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Orders of architecture

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House, Arras: elevation of the facade with details of mouldings and giant Doric pilasters

RIBA32705
NOTES: This drawing (numbered Plate 65) is one of a series of topographical thesis studies made by Cowlishaw between 1928 and 1930 while he was a member of the Imperial War Graves Commission. The series was entitled 'French Civic Architecture 1500-1802. A study of some of the notable buildings in Northern France erected during the early part of the 16th century to the beginning of the 19th century.' The house depicted in this plate dates from the late 18th century

Ionic capital, British Museum, Bloomsbury, London

RIBA34972
Smirke, Sir Robert (1780-1867)
NOTES: There are 44 ionic columns on the Greek Revival facade facing Great Russell Street. They are closely based on those of the temple of Athena Polias at Priene in Asia Minor.

Section of an entablature drawn with perspective lines to an infinity point

RIBA35770
NOTES: This drawing is by an unidentified 18th century English architect.

Student drawing showing an Egyptian column and examples of decorative patterns

RIBA36552
Sisson, Marshall Arnott (1897-1978)
NOTES: This drawing was made while Sisson was a student at the University of London's School of Architecture.

Designs for variations on the Ionic capital

RIBA36968
Newton, William (1735-1790)

Designs for variations on the Ionic capital

RIBA36969
Newton, William (1735-1790)

Tuscan order

RIBA37015
NOTES: This is one of the original drawings made for the first edition (1817) of 'An Attempt to discrimate the styles of English architecture from the Conquest to the Reformation'.

Greek and Roman Doric orders

RIBA37016
NOTES: This is one of the original drawings made for the first edition (1817) of 'An Attempt to discrimate the styles of English architecture from the Conquest to the Reformation'.

Conjectural reconstruction of the Temple of Zeus Olympos (Temple of Olympian Zeus or Olympeion), Agrigento

RIBA37602
NOTES: This drawing was a preparatory sketch for a finished drawing which Smirke exhibited at the Royal Academy in 1810. The structure was believed to be the largest Doric temple ever built, although it was never completed.
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