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Column, capital and entablature of the Doric Order: perspective view

RIBA22369
NOTES: These drawings are by an unidentified 18th century draughtsman, possibly James Gibbs.

Column, capital and entablature of the Tuscan Order: perspective view

RIBA22370
NOTES: These drawings are by an unidentified 18th century draughtsman, possibly James Gibbs.

Sketch of the upper part of a rusticated Doric order supporting an entablature

RIBA29080
NOTES: Part of the Burlington Devonshire Collection, this drawing is by an unidentified 17th century Dutch or Flemish architect.

Measured section and details of Ionic capital volutes from the Erechtheion and the Temple of Minerva Polias, Athens

RIBA29583
Stuart, James (1713-1788)
NOTES: This drawing is one of a series of five sheets of manuscripts and diagrams describing the method of drawing the volute of an Ionic capital, based on a study of the columns of the Erechtheion and the Temple of Minerva Polias. These sheets were compiled during Stuart's visit to Athens between 1751 and 1753.

Design for a tower of the orders, entitled 'A veris naturae deducta': perspective view through an archway

RIBA31663
Adam, Robert (1948-)
NOTES: This perspective includes a self-portrait of Adam standing amongst figures in historical dress and other architects including Sir Edwin Lutyens. In 1986 Robert Adam co-founded Winchester Design, which became known as Robert Adam Architects in 2000.

Corinthian portico, possibly a design for a villa

RIBA31870
Palladio, Andrea (1508-1580)
NOTES: This drawing by Palladio is an outline elevation of a hexastyle Corinthian portico. It could be a design for a Villa. It has been grouped together with drawings previously attributed to Giorgio Vasari for the Villa Giulia in Rome. On the lower half of the sheet, upside down, is a drawing of the Fontana Pubblica sulla Via Flaminia, Rome.

Fontana Pubblica sulla Via Flaminia, Rome, and an unidentified design for a villa

RIBA31873
Palladio, Andrea (1508-1580)
NOTES: There are two seperate drawings on this sheet.The lower drawing by Palladio is an outline elevation of a hexastyle Corinthian portico. It could be a design for a Villa. It has been grouped together with a drawing previously attributed to Giorgio Vasari for the Villa Giulia in Rome, on the upper portion of this sheet. It is a drawing of the Fontana Pubblica sulla Via Flaminia, Rome, which was built as the entrance to Pope Julius III's Villa Giuilia.
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