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Neoclassical Style Guide

A revival style that looks back to the Classical past and the architecture of ancient Greece and Rome, but unlike the re-interpretation of classical forms seen in the Renaissance, this was a much more academic approach. It began in France from the mid-18th century, with writers and architects theorising over the supremacy of ancient Greece versus ancient Rome, following the rediscovery of the Parthenon and the excavations at Herculaneum and Pompeii. For example, artists Charles-Nicholas Cochin and Jerome-Charles Bellicard published their, ‘Observations sur les antiquities de la ville d’Herculaneum’ from 1753. The same year Abbé Marc-Antoine Laugier, a French Jesuit published his, ‘Essai sur L’Architecture’, which set out to define Classicism as a logical need for shelter, illustrating his interpretation of the origin of the stone temple as a ‘Primitive Hut’, formed out of tree trunks and branches fashioned into columns supporting a triangular shaped roof. In 1762 architects James Stuart and Nicholas Revett, published their Antiquities of Athens’, which was hugely influential in promoting Neo-Classicism in England.

It marked a return to simplicity and an architecture of pure geometrical form, favouring, clarity, proportion, and symmetry. The correct use of the orders from the ancient world, i.e. Doric, Ionic and Corinthian columns as structural, rather than decorative was also encouraged. Characterised by severity of appearance and solidity, Neo-classicism dominated much of European and American architecture until the emergence of the Gothic Revival from the late 1830s.

Features of a Neo-Classical building

  • Purity of form

  • Use of the Orders

  • Symmetry and Proportion

  • References to Classical architecture

Explore these galleries from the RIBA Collections illustrating the main features of Neoclassical Architecture

For further reading on the Gothic Revival below is a selection of books from the British Architectural Library on the subject:

  • Neoclassicism by David Irwin. Library Reference: 7.034(4).8/.88 // IRW
  • The neoclassical source book by Caroline Clifton-Mogg. Library Reference: 729.098.034.8/.88 // CLI
  • English neo-classical architecture by Damie Stillman. Library Reference: 72.034(42).8/.88 // STI
  • Neoclassical and 19th century architecture by Robin Middleton and David Watkin. Library Reference: 72.034(4).8 // MID
  • The Greek Revival: neo-classical attitude in British architecture 1760-1870 by Jan Mordaunt Crook. Library Reference: 72.036.3(41/42) // CRO
  • Neo-classicism by Hugh Honour. Library Reference: 7.034.8/.88 // HON

Style Guide written by Suzanne Waters

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L'Arc de Triomphe, Paris

RIBA13956
Chalgrin, Jean-Francois Therese (1739-1811)

La Madeleine, Paris

RIBA13977
Vignon, Pierre-Alexandre (1763-1828)

Kedleston Hall, Derbyshire: the Great Hall

RIBA14805
Adam, Robert (1728-1792)

Syon House, Isleworth, London: the Great Hall seen from the ante-room with a bronze of the Dying Gaul in the foreground

RIBA15702
Adam, Robert (1728-1792)
NOTES: The 'Dying Gaul' was cast in Rome by Valodier and acquired by the Duchess of Northumberland in 1773.

Royal Palace, Corfu (Kerkika), Island of Corfu: the antechamber to the throne room

RIBA15891
Whitmore, General Sir George (1775-1862)
NOTES: This Neoclassical mansion was built in 1816-1823 to serve as treasury of the newly created order of St Michael and St George and residence for the British Lord High Commissioner. The building became known as the Royal Palace when it was handed over to King George I of Greece on the departure of the British in 1864. It fell into disrepair after 1913. One wing now houses the Museum of Byzantine and East Asian Art.

Silwood Park, Berkshire

RIBA16148
Mitchell, Robert (fl. 1770-1809)
SOURCE: Robert Mitchell. Plans, and views in perspective, with descriptions, of buildings erected in England and Scotland (London, 1801), pl. 1

Silwood Park, Berkshire

RIBA16149
Mitchell, Robert (fl. 1770-1809)
SOURCE: Robert Mitchell. Plans, and views in perspective, with descriptions, of buildings erected in England and Scotland (London, 1801), pl. 3

Silwood Park, Berkshire: the great staircase

RIBA16150
Mitchell, Robert (fl. 1770-1809)
SOURCE: Robert Mitchell. Plans, and views in perspective, with descriptions, of buildings erected in England and Scotland (London, 1801), pl. 4

Horse Guards riding school, St Petersburg

RIBA16361
Quarenghi, Giacomo Antonio Domenico (1744-1817)
SOURCE: Giacomo Quarenghi. Edifices construits a Saint-Petersbourg (St Petersburg, 1810), pl. 2

Tyringham House, Buckinghamshire

RIBA17154
Ihne, Ernst Eberhard von (1848-1917)
NOTES: The house was substantially altered in 1907-1909 by Ernst Eberhard von Ihne for its new owner F. A. Koenig.

Southgate Grove (now known as Grovelands), Enfield, London: the east elevation

RIBA17630
Nash, John (1752-1835)
SOURCE: George Richardson. The New Vitruvius Britannicus (London, 1802-1808), pl. 31

Athenaeum, corner of Pall Mall and Waterloo Place, London: the principal front

RIBA17717
Burton, Decimus (1800-1881)
SOURCE: Examples for builders, carpenters and joiners (London: Weale, 1857), pl. 8

Philipps House, Dinton, Wiltshire

RIBA18147
Wyatville, Sir Jeffry (1766-1840)

Design for an Ionic villa

RIBA20079
Thompson, James

View of the Sala Rotunda at the Museo Pio Clementino, Vatican Museums, Rome, with museum visitors viewing Classical sculptures on display

RIBA21202
Simonetti, Michelangelo (1724-1781)
NOTES: This drawing is believed to be by an unidentified 18th century Italian architect and was formerly attributed to Francesco Costa. The Pio-Clementino Museum occupies the Belvedere Pavilion, adapted as a museum by Michelangelo Simonetti in the 1770s.

Dodington Park, Gloucestershire: the Dower House

RIBA24634
Wyatt, James (1746-1813)

Tyringham House, Buckinghamshire: the gateway

RIBA24643
Soane, Sir John (1753-1837)

Syon House, Isleworth, London: the Great Hall seen from the main entrance with a bronze of the Dying Gaul in the foreground

RIBA28440
Adam, Robert (1728-1792)
NOTES: The 'Dying Gaul' was cast in Rome by Valodier and acquired by the Duchess of Northumberland in 1773.

Congregational Church, Albion Street, Hull

RIBA33503
Lockwood, Henry Francis (1811-1878)
NOTES: The building was largely destroyed by bombing in 1941 and the remains were demolished in 1949.

Bomb-damaged Trinity House next to the Port of London Authority Building, Tower Hill, City of London

RIBA38571
Wyatt, Samuel (1737-1807)
NOTES: A third of the City's buildings were destroyed by aerial attack between September 1940 and March 1945. Trinity House was gutted by bombing in 1940. It was rebuilt in 1953.

Tyringham House, Buckinghamshire: the bridge

RIBA42230
Soane, Sir John (1753-1837)

National Theatre, Munich

RIBA55520
Fischer, Karl von (1782-1820)
NOTES: Originally built by Karl von Fischer in 1811-1815, the theatre burnt down in 1823 and was rebuilt in its original form by Leo von Klenze, reopening in 1825.

Bolshoi Theatre, Teatralnaya Square, Moscow

RIBA58903
Bove, Jospeh (1784-1834)

Design for a ceiling in the second drawing room, Buckingham House (the Queen's House), London

RIBA66883
Chambers, Sir William (1723-1796)
NOTES: The design was made under the supervision of Sir William Chambers between 1762 and 1766 when he was altering and redecorating Buckingham House.

National Gallery, Trafalgar Square, London

RIBA72267
Wilkins, William (1778-1839)
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