Murals

NOTES: The church, designed by Sir Edwin Lutyens, was consecrated in 1911 but the west end was not completed until 1935.

NOTES: The church, designed by Sir Edwin Lutyens, was consecrated in 1911 but the west end was not completed until 1935. See RIBA156913 for a colour version of this image.

NOTES: The church, designed by Sir Edwin Lutyens, was consecrated in 1911 but the west end was not completed until 1935.

NOTES: The church, designed by Sir Edwin Lutyens, was consecrated in 1911 but the west end was not completed until 1935.

NOTES: Medieval church of c. 1132 for Kirkham Abbey, with 14th and 15th century additions. It was restored by Pearson, with interior decoration by Street in 1856-1857. See RIBA138910 for a colour version of this image.

NOTES: The house was built by Thomas Bourchier, Archbishop of Canterbury, between 1456 and 1486. It passed into Royal possession in 1537 during the Dissolution. In 1566, Elizabeth I presented the house and estate to her cousin Thomas Sackville, 1st Earl of Dorset, who substantially remodelled the medieval palace between 1603 and 1608. The staircase at Knole is the first known cantilevered wooden staircase, dating from about 1605. See RIBA154642 for a colour negative and RIBA161826 for a colour transparency version of this image.

NOTES: The house was built by Thomas Bourchier, Archbishop of Canterbury, between 1456 and 1486. It passed into Royal possession in 1537 during the Dissolution. In 1566, Elizabeth I presented the house and estate to her cousin Thomas Sackville, 1st Earl of Dorset, who substantially remodelled the medieval palace between 1603 and 1608. The staircase at Knole is the first known cantilevered wooden staircase, dating from about 1605. See RIBA154633 for a black and white version and RIBA161826 for a colour transparency version of this image.

NOTES: Guanabacoa is an historic district of Havana, which was developed between 1554-1747. It contains a mixture of religious and civic buildings which preserve much of their original character. In 1990 its urban centre was declared a national monument. These images were taken prior to restoration. See RIBA146490 for a black and white version of this image.

NOTES: The church was designed by E. S. Prior and A. Randall Wells, who had been Lethaby's Clerk of Works at Brockhampton (1904). Many of the fixtures and fittings are by Ernest Gimson, notably the oak panelled chancel and the oak choir stalls. The ceiling of the chancel wasn't painted until 1927, by Macdonald Gill, restored 1967 by Maurice Partland, the design of its theme is the Creation. The tapestry depicts the visit of the Three Wise Men and is a copy of a painting by Burne-Jone made by Morris & Co for the church. See RIBA149146 for a black and white version of this image.

NOTES: The church was designed by E. S. Prior and A. Randall Wells, who had been Lethaby's Clerk of Works at Brockhampton (1904). Many of the fixtures and fittings are by Ernest Gimson, notably the oak panelled chancel and the oak choir stalls. The ceiling of the chancel wasn't painted until 1927, by Macdonald Gill, restored 1967 by Maurice Partland, the design of its theme is the Creation. The tapestry depicts the visit of the Three Wise Men and is a copy of a painting by Burne-Jone made by Morris & Co for the church. See RIBA149148 for a black and white version of this image.

NOTES: The church was designed by E. S. Prior and A. Randall Wells, who had been Lethaby's Clerk of Works at Brockhampton (1904). Many of the fixtures and fittings are by Ernest Gimson, notably the oak panelled chancel and the oak choir stalls. The ceiling of the chancel wasn't painted until 1927, by Macdonald Gill, restored 1967 by Maurice Partland, the design of its theme is the Creation. The tapestry depicts the visit of the Three Wise Men and is a copy of a painting by Burne-Jone made by Morris & Co for the church. See RIBA149149 for a black and white version of this image.