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Murals
St Mary the Virgin, Great Shelford, Cambridgeshire: the nave looking towards the altar
RIBA137492
NOTES: Church of Norman origin, but largely rebuilt 1396-1418. The medieval tower collapsed in 1798 and was rebuilt in 1801 with old materials, but not to the original design. Above the chancel is an early 15th wall painting of the Doom.
St Mary the Virgin, Great Shelford, Cambridgeshire: detail of Doom painting above the chancel arch
RIBA137495
NOTES: Church of Norman origin, but largely rebuilt 1396-1418. The medieval tower collapsed in 1798 and was rebuilt in 1801 with old materials, but not to the original design. The Doom painting seen here dates from the early 15th century.
St Mary Magdalene, Ickleton, Cambridgeshire: looking towards the side aisle showing fragments of wall paintings on the north nave wall
RIBA137548
NOTES: The church is a mixture of periods, 12th, 13th and 14th centuries. The interior is largely Norman with reused Roman columns in the nave. The nave was heightened in the 14th century. The chancel was rebuilt in 1882-1883. The church also has a distinctive lead broach spire. The wall paintings date from c. 1130-1150 and depict images from the Passion of Christ.
Peredur Home School, East Grinstead, West Sussex: the entrance hal with mural on the right
RIBA140162
NOTES: Kenneth Bayes was a member of the Design Research Unit. His projects were very much influenced by the expressive and organic architectural language of the German architect Rudolf Steiner, the key protaganist of the Theosophical movement.
City Library, Stockholm: the mini amphitheatre of the children's story reading room
RIBA157999
NOTES: See RIBA132294 for a black and white version of this image.
City Library, Stockholm: detail of mural by Nils Dardel in the children's mini amphitheatre
RIBA158000
NOTES: See RIBA132295 for a black and white version of this image.
Woodland Cemetery, Stockholm: the Chapel of the Holy Cross
RIBA158079
NOTES: Asplund and Lewerentz won the competition for the new cemetery in 1915 and spent the next 25 years developing the cemetery in a landscape of wooded pines populated by small chapels. The Chapel of the Holy Cross is by Asplund 1935-1940. See RIBA132312 for a black and white version of this image.
Woodland Cemetery, Stockholm: the Chapel of the Holy Cross
RIBA158080
NOTES: Asplund and Lewerentz won the competition for the new cemetery in 1915 and spent the next 25 years developing the cemetery in a landscape of wooded pines populated by small chapels. The Chapel of the Holy Cross is by Asplund 1935-1940. See RIBA132313 for a black and white version of this image.
Woodland Cemetery, Stockholm: the Chapel of the Holy Cross
RIBA158081
NOTES: Asplund and Lewerentz won the competition for the new cemetery in 1915 and spent the next 25 years developing the cemetery in a landscape of wooded pines populated by small chapels. The Chapel of the Holy Cross is by Asplund 1935-1940. See RIBA132315 for a black and white version of this image.