Metalwork

NOTES: This was a new chain designed by Sir Giles Gilbert Scott as an alternative to the Donaldson chain (see RIBA106284) and worn by him at the opening of the new Royal Institute of British Architects building, 66 Portland Place in November 1934.

NOTES: The bronze decoration on the door is by Jacqueline Stieger.

NOTES: This image is from a volume of drawings (entitled Vol II) by various designers produced for or presented to the Quarto Imperial Club, London, between 1892 and 1897.

NOTES: This drawing was exhibited at the Royal Academy of Arts, London, in 1890 (A Pair of Park Gates, no. 1750).

NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken. Thomas Elsley & Co were the manufacturers of Voysey's metalwork.

NOTES: This copy image is from the collection of John Brandon-Jones, architect (1908-1999), who had worked with the partnership of Charles Cowles-Voysey from 1933.

NOTES: Henry Wilson along with some of the leading artists of the day, carried on with the furnishing and decoration of the church after Sedding's death. See RIBA152794 for a colour version of this image.

NOTES: Henry Wilson along with some of the leading artists of the day, carried on with the furnishing and decoration of the church after Sedding's death. See RIBA152785 for a black and white version of this image.

NOTES: Henry Wilson along with some of the leading artists of the day, carried on with the furnishing and decoration of the church after Sedding's death. See RIBA153930 for a colour version of this image.

NOTES: Henry Wilson along with some of the leading artists of the day, carried on with the furnishing and decoration of the church after Sedding's death. See RIBA153931 for a colour version of this image.