RIBApix presents a series of features exploring the Architectural Review's radical assessment of the built environment at the end of the 1960s, MANPLAN.
Looking forward to the new decade ahead in the autumn of 1969 The Architectural Review (AR) paused to examine and evaluate state of the nation through its architecture and planning. This was by way of the publication of ‘Manplan’, a number of special editions of the AR focusing on topics ranging from housing to religion and how well these functioned within society. Manplan was not only a radical, sometimes brutal assessment of the built environment of the day, but today forms a poignant reminder of British life at the end of the sixties. Its stated intention was to take “as its yardstick real needs rather than minimum standards. Hence the title MANPLAN. A plan for human beings with a destiny rather than figures in a table of statistics.” (The Architectural Review, September 1969)
The first edition, Manplan 1, was published in September 1969 with the series ending a year later with Manplan 8. The intended Manplan 9 focusing on Leisure was never published, however the RIBA holds some of the photographer Patrick Ward’s contact sheets.
NOTES: This is one of the images taken for 'Manplan 8: Housing' in Architectural Review, vol. 148, 1970 Sept. This image appeared on p. 194. This council housing complex comprises a quadrangle of four-storey maisonettes with upper balconies passing through the projecting wings.
NOTES: This is one of the images taken for 'Manplan 8: Housing' in Architectural Review, vol. 148, 1970 Sep. In 1968 the photographer, painter, architect and designer, Humphrey Spender (1910-2005), commissioned Richard & Su Rogers to build this house and studio. It, together with the Rogers's house adjacent, was a prototype of a steel-framed house. This image is one of many taken for the Architectural Review's 'Manplan 8: Housing' issue of September 1970 for which Ray-Jones was the guest photographer. This image appeared on p.152.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct. The telephone kiosks and telephone book carousels were designed by Terence Conran.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct. The telephone kiosks and telephone book carousels were designed by Terence Conran.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct. The supervisor's booth was designed by Terence Conran.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct. The shops were designed by Terence Conran.
NOTES: This is one of the images taken for 'Manplan 2: Society is its contacts (travel and communication)' in Architectural Review, vol. 146, 1969 Oct. The shops were designed by Terence Conran.