Human figure

NOTES: This drawing is one of a series of four sheets attributed to the English sculptor Joseph Nollekens, who between the years 1759 and 1770 studied and worked as an antiques dealer, restorer and copier in Rome before returning to England to become a highly successful portrait sculptor. The verso of the drawing is addressed to the architect, archaeologist and artist James 'Athenian' Stuart at the home of Thomas Anson, who resided at St James's Square, London from 1766 to 1773. It is one of several drawings included in a postal package sent to this address.

NOTES: This drawing is one of a series of four sheets attributed to the English sculptor Joseph Nollekens, who between the years 1759 and 1770 studied and worked as an antiques dealer, restorer and copier in Rome before returning to England to become a highly successful portrait sculptor. The drawing is one of several included in a postal package addressed to the architect, archaeologist and artist James 'Athenian' Stuart at the home of Thomas Anson, who resided at St James's Square, London from 1766 to 1773.

NOTES: This drawing is one of a series of four sheets attributed to the English sculptor Joseph Nollekens, who between the years 1759 and 1770 studied and worked as an antiques dealer, restorer and copier in Rome before returning to England to become a highly successful portrait sculptor. The drawing is one of several included in a postal package addressed to the architect, archaeologist and artist James 'Athenian' Stuart at the home of Thomas Anson, who resided at St James's Square, London from 1766 to 1773.

NOTES: This drawing is one of a series of four sheets attributed to the English sculptor Joseph Nollekens, who between the years 1759 and 1770 studied and worked as an antiques dealer, restorer and copier in Rome before returning to England to become a highly successful portrait sculptor. The drawing is one of several included in a postal package addressed to the architect, archaeologist and artist James 'Athenian' Stuart at the home of Thomas Anson, who resided at St James's Square, London from 1766 to 1773.

NOTES: This drawing is one of a series of four sheets attributed to the English sculptor Joseph Nollekens, who between the years 1759 and 1770 studied and worked as an antiques dealer, restorer and copier in Rome before returning to England to become a highly successful portrait sculptor. The drawing is one of several included in a postal package addressed to the architect, archaeologist and artist James 'Athenian' Stuart at the home of Thomas Anson, who resided at St James's Square, London from 1766 to 1773.

NOTES: This drawing is one of a series of four sheets attributed to the English sculptor Joseph Nollekens, who between the years 1759 and 1770 studied and worked as an antiques dealer, restorer and copier in Rome before returning to England to become a highly successful portrait sculptor. The drawing is one of several included in a postal package addressed to the architect, archaeologist and artist James 'Athenian' Stuart at the home of Thomas Anson, who resided at St James's Square, London from 1766 to 1773.

NOTES: This drawing is one of a series of four sheets attributed to the English sculptor Joseph Nollekens, who between the years 1759 and 1770 studied and worked as an antiques dealer, restorer and copier in Rome before returning to England to become a highly successful portrait sculptor. The drawing is one of several included in a postal package addressed to the architect, archaeologist and artist James 'Athenian' Stuart at the home of Thomas Anson, who resided at St James's Square, London from 1766 to 1773.

NOTES: This relief, depicting Pan, Nymphs and Hermes, was carved from Parian marble at the entrance to a subterranean quarry tunnel.

NOTES: These studies may have been taken from Roman paintings or sculptures.

NOTES: These studies may have been taken from Roman paintings or sculptures.

NOTES: These studies may have been taken from Roman paintings or sculptures.