NOTES: This drawing is one of a number of miscellaneous sketches and copies from Stevens's school copybook and sketchbook. It was probably made between 1824 and 1833.
NOTES: This drawing is one of a number of miscellaneous sketches and copies from Stevens's school copybook and sketchbook. It was probably made between 1824 and 1833.
NOTES: This drawing is one of a number of miscellaneous sketches and copies from Stevens's school copybook and sketchbook. It was probably made between 1824 and 1833.
NOTES: This drawing is one of a number of miscellaneous sketches and copies from Stevens's school copybook and sketchbook. It was probably made between 1824 and 1833.
NOTES: This drawing is one of a number of miscellaneous sketches and copies from Stevens's school copybook and sketchbook. It was probably made between 1824 and 1833.
NOTES: This drawing was produced for reproduction in 'Antiquities of Ionia, Part the Fourth', published by the Society of Dilettanti (London, 1881). The engraver of the images in their printed form was Jules Penel.
NOTES: Alfred George Stevens travelled to Italy in 1834 where he spent nine years studying the frescoes and paintings of the Old Masters. In the early 1840s, after attending a design course at the Florentine Academy, he returned to London.
NOTES: This drawing is one of a number of sketches of Italian paintings, sculpture, Medieval and Renaissance costume and miscellaneous tracings by Godwin from an album containing items relating to architecture and ornament. Alfred George Stevens travelled to Italy in 1834, where he spent nine years studying the frescoes and paintings of the Old Masters. In the early 1840s, after attending a design course at the Florentine Academy, he returned to London.
NOTES: This drawing is one of a number of sketches of Italian paintings, sculpture, Medieval and Renaissance costume and miscellaneous tracings by Godwin from an album containing items relating to architecture and ornament. Alfred George Stevens travelled to Italy in 1834, where he spent nine years studying the frescoes and paintings of the Old Masters. In the early 1840s, after attending a design course at the Florentine Academy, he returned to London.