Frescoes

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The fresco across the vault seen here is attributed to Anselmo Canera and depicts abundance and prosperity.

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The fresco in the main loggia is attributed to Anselmo Canera and depicts abundance and prosperity.

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The cycle of frescoes in the main entrance hall depict the tragedy Orazia (1546) by Pietro Aretino (1494-1556).

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The cycle of frescoes in the main entrance hall depict the tragedy Orazia (1546) by Pietro Aretino (1494-1556).

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The cycle of frescoes in the main entrance hall depict the tragedy Orazia (1546) by Pietro Aretino (1494-1556).

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The cycle of frescoes in the main entrance hall depict the tragedy Orazia (1546) by Pietro Aretino (1494-1556).

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994.

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994.

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The cycle of frescoes in the main entrance hall depict the tragedy Orazia (1546) by Pietro Aretino (1494-1556).

NOTES: The Villa Saraceno is one of the earliest and simplest of Palladio's villas (1549-1555). As published in 'I Quattro Libri', only the villa house was built according to Palladio's design, and the symmetrical 'barchesse' shown in his scheme were never fully executed. The colonnaded 'barchessa' on the right (east) of the villa house was added in the mid-17th century and links to the other existing farm buildings on the site. After becoming derelict in the mid-twentieth century, it was bought by the Landmark Trust and restored in 1990-1994. The cycle of frescoes in the main entrance hall depict the tragedy Orazia (1546) by Pietro Aretino (1494-1556).

NOTES: The Villa Foscari (La Malcontenta) was designed by Palladio between 1555-1560 for Nicolo and Alvise Foscari. The main hall seen here, has a series of frescoes depicting mythological scenes by Giambattista Zelotti. The 'Aura' sculpture is by Zaha Hadid.

NOTES: The Villa Foscari (La Malcontenta) was designed by Palladio between 1555-1560 for Nicolo and Alvise Foscari. The main hall seen here, has a series of frescoes depicting mythological scenes by Giambattista Zelotti. The 'Aura' sculpture is by Zaha Hadid.