Fountains

NOTES: The original part of Locke Park was donated to the people of Barnsley by Phoebe Locke, the widow of railway engineer Joseph Locke, in 1862 and known as the People's Park. Following Mrs Locke's death in 1866, her sister Sarah McCreery donated more adjoining land in 1874. The enlarged park, now called Locke Park, included Locke Park Tower (in memory of Phoebe Locke) and the fountain depicted in this drawing, which was dedicated by the working men of Barnsley to Miss McCreery - both designed by Spiers and opened in 1877. This drawing was exhibited at the Royal Academy of Arts, London, in 1898 ('Memorial fountain, Locke Park, Barnsley' no. 1799).

SOURCE: Hans Vredeman de Vries. Perspective (Leiden, 1605), part II, pl. 19

SOURCE: J. C. Palmes (ed.). Sir Banister Fletcher's A History of architecture, 18th ed. (London: Athlone Press, 1975), p. 783 NOTES: A) Capital in cortile, Palazzo Gondi, Florence; B) capital and brackets, the Badia de Fiesole, near Florence; C) Pilaster capital St. Spirito, Florence; D) Window in cortile, Palazzo Quaratesi, Florence; E) niche, National Museum, Florence; F) window and fountain, Palazzo Pitti, Florence; G) doorway, St. Croce, Florence; H) chimney-piece, National Museum, Florence; J) porch, St. Alessandro, Lucca

SOURCE: J. C. Palmes (ed.). Sir Banister Fletcher's A History of architecture, 18th ed. (London: Athlone Press, 1975), p. 785 NOTES: A-B) windows, Palazzo Farnese, Rome; C) balcony window, Palazzo Della Cancelleria, Rome; D) doorway, Palazzo Gagnati, Montepulciano; E) Arcade in cloister, St. Maria Della Pace, Rome; F) doorway, Palazzo Sciarra, Rome; G) doorway, Palazzo Sacrati, Ferrara; H) Fontana Paola, Rome; J) Triclinium of Leo III, Rome

NOTES: This image was probably taken between 1890-1910. The photographers Jean (Johannes) Sebah (son of Pascal Sebah who set up his studio from the 1860s) formed a partnership with Polycarpe Joaillier from 1890. Joaillier returned to Paris in the early 1900s, but Jean Sebah continued the work of the studio with others until 1943.

NOTES: This image was probably taken between 1890-1910. The photographers Jean (Johannes) Sebah (son of Pascal Sebah who set up his studio from the 1860s) formed a partnership with Polycarpe Joaillier from 1890. Joaillier returned to Paris in the early 1900s, but Jean Sebah continued the work of the studio with others until 1943.

NOTES: This image was probably taken between 1890-1910. The photographers Jean (Johannes) Sebah (son of Pascal Sebah who set up his studio from the 1860s) formed a partnership with Polycarpe Joaillier from 1890. Joaillier returned to Paris in the early 1900s, but Jean Sebah continued the work of the studio with others until 1943.

NOTES: In 1899 the Abdullah Freres business and collection was sold to Sebah & Joaillier.

NOTES: This image was probably taken between 1890-1910. The photographers Jean (Johannes) Sebah (son of Pascal Sebah who set up his studio from the 1860s) formed a partnership with Polycarpe Joaillier from 1890. Joaillier returned to Paris in the early 1900s, but Jean Sebah continued the work of the studio with others until 1943.