Fonts

NOTES: The church was fitted up as a church after the Dissolution, using part of the late 12th century infirmary as its nave and the infirmary chapel as the chancel. It was restored in 1886-1887 by J. James Spencer of Bath. the font is medieval.

NOTES: Originally a collegiate church on which construction began in 1412 to plans laid down by Edmund, 1st Duke of York (d. 1402), and was completed in 1430. Work on the addition of a parish church, also in Perpendicular style, to the western end began in 1434 . Fotheringhay Castle, nearby and site of the execution of Mary, Queen of the Scots in 1587, was demolished by the Stuart monarchs in the 17th century and the church allowed to fall into disrepair. What remains today is the octagonal tower, nave and aisles of the 15th parish church.

NOTES: Originally a collegiate church on which construction began in 1412 to plans laid down by Edmund, 1st Duke of York (d. 1402), and was completed in 1430. Work on the addition of a parish church, also in Perpendicular style, to the western end began in 1434 . Fotheringhay Castle, nearby and site of the execution of Mary, Queen of the Scots in 1587, was demolished by the Stuart monarchs in the 17th century and the church allowed to fall into disrepair. What remains today is the octagonal tower, nave and aisles of the 15th parish church.

NOTES: Originally a collegiate church on which construction began in 1412 to plans laid down by Edmund, 1st Duke of York (d. 1402), and was completed in 1430. Work on the addition of a parish church, also in Perpendicular style, to the western end began in 1434 . Fotheringhay Castle, nearby and site of the execution of Mary, Queen of the Scots in 1587, was demolished by the Stuart monarchs in the 17th century and the church allowed to fall into disrepair. What remains today is the octagonal tower, nave and aisles of the 15th parish church.

SOURCE: J. C. Palmes (ed.). Sir Banister Fletcher's A History of architecture, 18th ed. (London: Athlone Press, 1975), p. 466 NOTES: A) Bishop's Throne, St. Michelle, Monte St. Angelo; B) pulpit, St. Ambrogio, Milan; C) high altar, St. Maria Maggiore, Tuscania; D) bronze pilaster, door of Trani Cathedral; E-F) coupled capitals, cloisters, Monreale; G) bronze pilaster, door of Ravello Cathedral; H) corbel tables, St. Ambrogio, Milan; J) door lintel, St. Giusto, Lucca; K) mosaic paving, St. Pietro, Tuscania; L) font, Baptistery, Parma

SOURCE: J. C. Palmes (ed.). Sir Banister Fletcher's A History of architecture, 18th ed. (London: Athlone Press, 1975), p. 618 NOTES: A) vaulting boss Dijon Museum; B) gargoyles at Ile de France and St. Chapelle, Paris; C) boss, Mont St. Michel; D) north porch, Chartres Cathedral; E) north porch, Chartres from NW; F) bases, St. Michael's Chapel Montreale; G) font, Urcel near Laon; H) diaper on pedestal, Amiens Cathedral; J) crocket capital, Semur

NOTES: The font is thought to be designed by Lethaby.

NOTES: The church of All Saints dates back to the 16th century, but the west wall, timber belfry and spire were rebuilt in 1841-1842 by T. B. Crowest of Billericay, who also inserted the west gallery. The north chapel was rebuilt in 1834 by Roger Talbot of Romford. The church closed in 1973 and was converted into a dwelling by Colin Dollimore of Trevor Dannatt & Partners with Roger Coombs.