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'Head Hand & Heart' design for an inlaid work-box

RIBA149701
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken. See RIBA156450 for a colour version of this image.

Decorative design, undated

RIBA149702
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken. See RIBA156451 for a colour version of this image.

Decorative design, undated

RIBA149703
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken. See RIBA156452 for a colour version of this image.

Drawing, 'Where There is Trust There is Love', retained by Voysey in his private collection

RIBA149704
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken. The initials within the heart shape may have been those of his mother, Frances Maria Voysey.

Undated decorative design by Voysey

RIBA149705
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken.

Copy of a 'picture letter' by Voysey to his grandchildren

RIBA149707
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken. See RIBA156453 for a colour version of this image.

Design for fancy dress

RIBA149708
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken.

Badge design of Mary Maria Voysey with Priscilla in her arms, flanked by her angelic sons, Charles and Annesley

RIBA149721
Voysey, Charles Francis Annesley (1857-1941)
NOTES: These items are from the collection of Lady Joan Slack (1925-2015), a prominent geneticist, who inherited through her family a number of artifacts from the Voysey family, which she subsequently catalogued. She lived at Bridgwater, Somerset, where these images were taken.

St Andrew's Church, Roker, Sunderland: detail of the memorial tablet in the porch

RIBA150012
Prior, Edward Schroeder (1852-1932)
NOTES: The church was designed by E. S. Prior and A. Randall Wells, who had been Lethaby's Clerk of Works at Brockhampton (1904). Many of the fixtures and fittings are by Ernest Gimson, notably the oak panelled chancel and the oak choir stalls. See RIBA155491 for a colour version of this image.

St Andrew's Church, Roker, Sunderland: detail of the memorial tablet in the porch

RIBA150013
Prior, Edward Schroeder (1852-1932)
NOTES: The church was designed by E. S. Prior and A. Randall Wells, who had been Lethaby's Clerk of Works at Brockhampton (1904). Many of the fixtures and fittings are by Ernest Gimson, notably the oak panelled chancel and the oak choir stalls.

Trentham Hall and gardens, Trentham: detail of the coat of arms on the porte cochere

RIBA150144
Barry, Sir Charles (1795-1860)
NOTES: Between 1835-1844, Barry substantially remodelled and enlarged the earlier 17th century house on the site for the second Duke of Sutherland, who inherited the estate in 1833. Built in the Italianate style its setting is within an 18th century landscape designed by Capability Brown. In 1910-1911, the bulk of the house was demolished. See RIBA161983 for a colour version of this image.

Sketchbook belonging to Philip Webb: sketch of a heron dated December 5 1860

RIBA150240
Webb, Philip Speakman (1831-1915)
NOTES: Sketchbook of drawings and designs by Philip Webb.
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