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Decorative woodwork

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St John the Baptist, Plymtree, Devon: detail of the fan-vaulted rood screen with painted dado panels

RIBA6889
Weir, William (1865-1950)
NOTES: The interiors of this church were carefully restored by William Weir in 1910.

St John the Baptist, Plymtree, Devon: detail of the fan-vaulted rood screen with painted dado panels

RIBA6890
NOTES: The interiors of this church were carefully restored by William Weir in 1910.

St John the Baptist, Bere Regis, Dorset: detail of the elaborate timber roof of the nave

RIBA6895
NOTES: A parish Church 11th century in origin, but largely rebuilt in the 12th century. Enlarged over subsequent centuries, it was restored c 1875 (including the roof) by George Edmund Street. The outstanding timber roof is 1485.

St Mary's Priory Church, Abergavenny, Monmouthshire: detail of the carved figure of Jesse

RIBA6912
NOTES: This larger-than-life size figure of Jesse is carved from one piece of solid oak. Originally highly coloured, it formed the base of an intricate and elaborate construction, which depicted the lineage of Jesus Christ from Jesse, the father of King David. It has been estimated that the height of the 'tree' growing from Jesse's side to have been between 25 and 30 feet.

Redland Chapel, Bristol: the nave with the hexagonal font baluster by Thomas Paty in the foreground

RIBA6927
Halfpenny, William (d. 1755)
NOTES: This was built as a private chapel-of-ease by William Halfpenny in 1741-1743 for John Cossins of Redland Court, the local manor house, but was not consecrated until 1790. A parish was formed at Redland in 1942 when the chapel became the parish church. Thomas Paty was responsible for the stone carving of the exterior ornamentation and the wooden carving on the interior, particularly that of the chancel, and for the font, executed in 1755.

St John the Baptist, St John Street, Stamford, Lincolnshire: the original angel roof

RIBA6956
Browning, Edward (1816-1882)
NOTES: The chancel roof with carved angels against the arched braces was restored in 1856 by Edward Browning.
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