NOTES: John Webb had bought Butleigh Court and lived there from 1660 until his death in 1672. The original 16th century house had a 7-bay block added to the east by Webb or a descendant. J. C. and C. A. Buckler rebuilt the house adding into the angle of the L-shaped 'Webb' block.
NOTES: Sir Charles Barry was responsible for the remodelling of Trentham Hall in phases between 1834 and 1849. From the 'Large Atlas Folio: Gothic and Italian', a volume of tracings of office drawings made by James Murray during the time he worked in Barry's office, 1839-1847.
SOURCE: John Britton. Historical and descriptive account of the Deepdene, Dorking Surrey (1825-1826), page in volume with manuscript and drawings NOTES: William Atkinson remodelled Deepdene for Thomas Hope in 1818 and 1823. The house was further extended and remodelled in an Italianate syle in the 1840s. There is a finished sepia and wash drawing very similar to this sketch in an associated album on Deepdene held in the Minet Library, Lambeth, London.
SOURCE: John Britton. Historical and descriptive account of the Deepdene, Dorking Surrey (1825-1826), page in volume with manuscript and drawings NOTES: William Atkinson remodelled Deepdene for Thomas Hope in 1818 and 1823. The house was further extended and remodelled in an Italianate syle in the 1840s.
SOURCE: John Britton. Historical and descriptive account of the Deepdene, Dorking Surrey (1825-1826), page in volume with manuscript and drawings NOTES: William Atkinson remodelled Deepdene for Thomas Hope in 1818 and 1823. The house was further extended and remodelled in an Italianate syle in the 1840s.
SOURCE: John Britton. Historical and descriptive account of the Deepdene, Dorking Surrey (1825-1826), page in volume with manuscript and drawings NOTES: William Atkinson remodelled Deepdene for Thomas Hope in 1818 and 1823. The house was further extended and remodelled in an Italianate syle in the 1840s.
NOTES: This drawing is from a small sketchbook serving as a record of work by Thomas Cundy between 1795 and 1820 apparently made by his son, Thomas Cundy junior, who worked in his practice and took over the practice at his father's death.
NOTES: This drawing is from an album of designs and sketches by Hunt, who appears to have been an amateur architect. None of these designs are known to have been executed. The drawings seem to date from the mid-1760s to the mid-1790s.