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Preliminary design for a bus station, Leicester: perspective

RIBA29215
Hannaford, Leonard Gordon (1890-1981)

Queen Mary's Dolls' House: sketched designs for clocks

RIBA29645
Lutyens, Sir Edwin Landseer (1869-1944)
NOTES: The dolls' house was conceived both as a gift from the British nation to Queen Mary and as an historical record of the ideal early 20th century English house. Princess Marie Louise commissioned Lutyens to design the house and together with the involvement of Sir Henry Morgan and a huge range of well-known manufacturers, it became a showcase for 1920s British craftsmanship and design. The house first went on display at the British Empire Exhibition at Wembley in 1924.

Habitat living room display

RIBA30848
Conran, Sir Terence Orby (1931-)

St Pancras Station, Euston Road, London: the clock above the gate to platform 3

RIBA30903
Barlow, William Henry (1812-1902)
NOTES: William Barlow was responsible for the train shed while Sir G. G. Scott was architect for the rest of the infrastructure.

The Grove, Monken Hadley, Barnet, London: the main staircase seen from the entrance hall

RIBA30944
Welch Cachemaille-Day & Lander
NOTES: The Grove was originally an 18th century house rebuilt in the neo-Georgian style by Welch Cachemaille-Day & Lander in c.1930.

The Grove, Monken Hadley, Barnet, London: the entrance hall from the main staircase

RIBA30945
Welch Cachemaille-Day & Lander
NOTES: The Grove was originally an 18th century house rebuilt in the neo-Georgian style by Welch Cachemaille-Day & Lander in c.1930.

Design for the interior decoration of the RMS Queen Elizabeth for Cunard White Star: elevations of the private dining room of the cabin class restaurant

RIBA31229
Wornum, George Grey (1888-1957)
NOTES: Launched in 1938, the RMS Queen Elizabeth was quickly requisitioned for use in World War II as a troop ship. It was only after the war, in 1946, that it was completely refitted and relaunched as the luxury passenger liner it was originally intended to be. George Grey Wornum designed the decoration of the first-class accommodation.

Theatre, Arras: elevation the entrance facade

RIBA32667
NOTES: This drawing (numbered Plate 68) is one of a series of topographical thesis studies made by Cowlishaw between 1928 and 1930 while he was a member of the Imperial War Graves Commission. The series was entitled 'French Civic Architecture 1500-1802. A study of some of the notable buildings in Northern France erected during the early part of the 16th century to the beginning of the 19th century.'
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