Book design

NOTES: These are the original Burlington bindings for Andrea Palladio's Disegni (Designs), Volume XVI. The drawings have since been removed and are now located in boxes with the Burlington-Devonshire references XVI/1-XVI/21.

NOTES: These are the original Burlington bindings for Andrea Palladio's Disegni (Designs), Volume XVII. The drawings have since been removed and are now located in boxes with the Burlington-Devonshire references XVII/1-XVII/27.

NOTES: These are the original Burlington bindings for Andrea Palladio's Disegni (Designs), Volume XVII. The drawings have since been removed and are now located in boxes with the Burlington-Devonshire references XVII/1-XVII/27.

NOTES: These are the original Burlington bindings for Andrea Palladio's Disegni (Designs), Volume XVII. The drawings have since been removed and are now located in boxes with the Burlington-Devonshire references XVII/1-XVII/27.

NOTES: These are the original Burlington bindings for Andrea Palladio's Disegni (Designs), Volume XVII. The drawings have since been removed and are now located in boxes with the Burlington-Devonshire references XVII/1-XVII/27.

NOTES: These are the original Burlington bindings for Andrea Palladio's Disegni (Designs), Volume XVII. The drawings have since been removed and are now located in boxes with the Burlington-Devonshire references XVII/1-XVII/27.

SOURCE: Daniel Rabel. Cartouches de diferentes inventions. Tres utilles, a plussieurs sortes de personnes (Paris, 1632) NOTES: This is a plate in a book of cartouches containing landscapes, engraved and published by Malchior Tavernier after designs by Daniel Rabel. Engravings from this publication are found throughout this album compiled by Gentilhatre.

SOURCE: Daniel Rabel. Cartouches de diferentes inventions. Tres utilles, a plussieurs sortes de personnes (Paris, 1632) NOTES: This is a plate in a book of cartouches containing landscapes, engraved and published by Malchior Tavernier after designs by Daniel Rabel. Engravings from this publication are found throughout this album compiled by Gentilhatre.

SOURCE: Andrea Palladio. I Quattro libri dell'architettura (Venice, 1570), book I, frontispiece NOTES: This image is from Lord Burlington's own copy of I Quattro libri (Venice, 1570) now in the RIBA Library.

SOURCE: Andrea Palladio. I Quattro libri dell'architettura (Venice, 1570), book II, frontispiece. NOTES: This image is from Lord Burlington's own copy of I Quattro libri (Venice, 1570) now in the RIBA Library.

SOURCE: Owen Jones. The grammar of ornament (London: Day, 1856), front cover NOTES: The bnding of this copy of Jones's Grammar of ornament is in relievo, a bas-relief design in leather on boards with brass studs in each corner of front and rear boards. Jones himself did design such covers for other works of his but it is unclear if this one was designed by him.

SOURCE: Daniel Rabel. Cartouches de diferentes inventions. Tres utilles, a plussieurs sortes de personnes (Paris, 1632) NOTES: This is a plate in a book of cartouches containing landscapes, engraved and published by Malchior Tavernier after designs by Daniel Rabel. Engravings from this publication are found throughout this album compiled by Gentilhatre.