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View of a gallery at the Museo Pio Clementino, Vatican Museums, Rome, with museum visitors and an artist viewing Classical sculptures on display

RIBA21203
Simonetti, Michelangelo (1724-1781)
NOTES: This drawing is believed to be by an unidentified 18th century Italian architect and was formerly attributed to Francesco Costa. The Pio-Clementino Museum occupies the Belvedere Pavilion, adapted as a museum by Michelangelo Simonetti in the 1770s.

Sir Wiliam Orpen

RIBA21579
Orpen, Sir William Newenham Montague (1878-1931)
NOTES: Appears to be a self-caricature as part of a thank-you note to Sir Aston Webb and Lady Webb.

Edward Bainbridge Copnall at work

RIBA24495
Copnall, Edward Bainbridge (1903-1973)

John Craxton at work

RIBA28772
Craxton, John (1922-2009)

John Craxton in his studio

RIBA28779
Craxton, John (1922-2009)

Letter from the sculptor Helen Phillips to Erno Goldfinger discussing a proposed balsa wood sculpture for their stand at the 'This is tomorrow' exhibition of 1956, held at the Whitechapel Art Gallery, London

RIBA30286
Goldfinger, Erno (1902-1987)
NOTES: Goldfinger and Phillips collaborated with the artist Victor Pasmore on an installation for the 'This is tomorrow' exhibition, held at the Whitechapel Art Gallery, London in 1956. Their Group 7 exhibit intended to demonstrate how architects and artists could work collaboratively.

Letter from the artist Victor Pasmore to Erno Goldfinger concerning the 'This is tomorrow' exhibition of 1956, held at the Whitechapel Art Gallery, London

RIBA30288
Goldfinger, Erno (1902-1987)
NOTES: Goldfinger and Pasmore collaborated with the sculptor Helen Phillips on an installation for the 'This is tomorrow' exhibition, held at the Whitechapel Art Gallery, London in 1956. Their Group 7 exhibit intended to demonstrate how architects and artists could work collaboratively.
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