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Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Nomura Gallery
RIBA148550
NOTES: See RIBA148554 for a colour version of this image.
Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Nomura Gallery
RIBA148551
NOTES: See RIBA148555 for a colour version of this image.
Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Friends' Room
RIBA148552
NOTES: See RIBA148556 for a colour version of this image.
Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Friends' Room
RIBA148553
NOTES: See RIBA148557 for a colour version of this image.
Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Nomura Gallery
RIBA148554
NOTES: See RIBA148550 for a black and white version of this image.
Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Nomura Gallery
RIBA148555
NOTES: See RIBA148551 for a colour version of this image.
Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Friends' Room
RIBA148556
NOTES: See RIBA148552 for a black and white version of this image.
Tate Britain Gallery, London: Nomura Gallery and Friends' Room: the Friends' Room
RIBA148557
NOTES: See RIBA148553 for a black and white version of this image.
Abbot Hall, Kendal, Cumbria: detail of reinstated Vitruvian scroll dado roll in the entrance hall
RIBA148637
NOTES: The house has been attributed to John Carr of York. It was converted into an art gallery in 1962, but has been restored to a more domestic appearance in 1993. See RIBA157166 for a colour version of this image.
Abbot Hall, Kendal, Cumbria: the door into the entrance hall from the drawing room
RIBA148638
NOTES: The house has been attributed to John Carr of York. It was converted into an art gallery in 1962, but has been restored to a more domestic appearance in 1993. See RIBA157167 for a colour version of this image.
Abbot Hall, Kendal, Cumbria: the entrance hall looking towards the garden
RIBA148639
NOTES: The house has been attributed to John Carr of York. It was converted into an art gallery in 1962, but has been restored to a more domestic appearance in 1993. See RIBA157168 for a colour version of this image.