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Amorbach Abbey, Amorbach: a glimpse of the organ

RIBA114913
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: detail of the organ

RIBA114914
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: looking towards the nave

RIBA114915
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: the pulpt

RIBA114916
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: the nave

RIBA114917
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: the nave looking east

RIBA114918
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: the nave ceiling

RIBA114919
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: detail of the ceiling fresco depicting St Benedict

RIBA114920
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria from the beginning at the end of the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: detail of the nave ceiling depicting St Benedict

RIBA114921
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: the organ

RIBA114922
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: the facade

RIBA114923
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.

Amorbach Abbey, Amorbach: the facade

RIBA114924
Gunther, Matthaus (1705-1788)
NOTES: The abbey was founded in the 8th century, but the majority of the buildings date from the 18th century when the Abteikirche was built (1742-1744), incorporating the two earlier six-storied west towers (12th century). Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world. Much of the interior decoration was carried out by members of the Wessobrunner School, a group of Baroque stucco-workers that developed in the Benedictine Wessobrunn Abbey in Bavaria during the 17th century and exerted considerable influence on the art of south Germany in the 18th century. The high altar and ceiling frescoes were painted by Matthaus Gunter between 1742-1747.
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