Plan and details of sculptural reliefs from the Palaces of Persepolis and Susa: B) Double "Bull" Capital, Apadana of Xerxes; C) plan of palace platform; D) double "unicorn" capital, Apadana of Xerses; E) bas-relief: Persepolis; F) Lion Frieze, Susa G) Archer Frieze, Susa

NOTES: Semper planned a work entitled ÔÇÿDie Anwendung der Farben in der Architektur und PlastikÔÇÖ (The Use of Colour in Architecture and Sculpture) which was to consist of a collection of chromolithographed plates, issued on subscription, with separate fascicules devoted to a restoration of the Doric order, the Ionic order, the Corinthian order, and examples of polychromy in Etruscan, Roman and Christian works. In 1836 proof prints of a mere six plates were all that were produced. The print catalogued here is one of five presented by Semper to the Royal Institute of British Architects on January 12, 1852, the evening when Thomas Donaldson presented a paper ÔÇÿOn polychromatic embellishments in Greek architectureÔÇÖ.

SOURCE: Dan Cruickshank (ed.). Sir Banister Fletcher's A History of architecture, 20th ed. (Oxford: Architectural Press, 1996), p. 111

SOURCE: J. C. Palmes (ed.). Sir Banister Fletcher's A History of architecture, 18th ed. (London: Athlone Press, 1975), p. 193