NOTES: This is a design for an ideal city.

NOTES: Designed to house manuscripts and a research centre. It eventually became a museum.

NOTES: The corrugated roofed building that is Doshi's studio inspired the later barrel vaulted studio on the right.

NOTES: Campbell originally intended to build a single house for himself but, owing to economic pressures, he built two more in the 1930s (Gate House and Point Head Cottage) and planned a whole development. The design for Chapel Point House evolved during the building process, becoming larger than originally envisioned. This image is a print with colour washes added.

NOTES: Rothes was an experimental colliery for which Glenrothes, Scotland's second New Town, was created in 1948 to provide housing for the coal miners and their families. The pit closed in 1961 because of unstemmable flooding problems and a decline in coal requirements nationwide.

NOTES: Lubetkin was architect-planner for Peterlee New Town, County Durham 1948-1950.

NOTES: The designers associated with the C.O.I. for the various sections of this exhibition included: Peter Moro, Robin Day, Ronald Avery, Ian Chapman, Messrs. Davy and Chapman, Ronald Dickens, Gordon Cullen, Pauline Behr, W.F. Manthorpe. Misha Black was the Supervising Designer, James Holland the Chief Designer, and R. J. Harrison, Chief Architect, C.O.I.

NOTES: Peterlee New Town in County Durham was founded in 1948. The Peterlee Development Corporation, established that year under the direction of A. V. Williams, was responsible for its development over several decades. R. J. A. Gazzard was the chief architect responsible for this phase of the development while Daniel, Dixon were responsible for the design of the housing and Pasmore for the landscaping.

NOTES: This photograph is one of a number of Indian portraits collected by Dame Jane Drew. During the 1950s Drew, her husband Maxwell Fry and Pierre Jeanneret worked alongside Le Corbusier on the project to build Chandigarh, the new capital city of the state of Punjab.

NOTES: This was one of the first low-rise, high-density schemes in London and was commissioned by Westminster City Council. It was developed in three phases between 1964 and 1972. It was designated a conservation area in 1990.

NOTES: Newton designed alterations and additions to a house built around 1830 matching the existing house. His additions consisted largely of a service wing.

NOTES: The Congres International d'Architecture Moderne (CIAM), founded in Switzerland in 1928 and disbanded in 1959, was the think tank of the Modern Movement. For a full list of the delgates depicted in this image see: Architectural Design, October 1947, p.258. See also: RIBA94519.

NOTES: Cragside was the enlargement of a shooting lodge of 1864 into a large country house. The alterations took place in stages over the period 1869-1885.

NOTES: Palazzo Borromeo was commissioned by Carlo III in 1632 and dedicated to his wife Isabella D'Adda, from whom the island takes its name. Construction of the house and design of its gardens was entrusted to Angelo Crivelli and completed by Carlo Fontana. The gardens were inaugurated in 1671.

NOTES: The Bride of Denmark was created in 1947 in the basement of the offices of the Architectural Press (publishers of the Architects' Journal and the Architectural Review) from salvaged elements of pubs damaged during the war or rejected by brewery owners.

NOTES: The Bride of Denmark was created in 1947 in the basement of the offices of the Architectural Press (publishers of the Architects' Journal and the Architectural Review) from salvaged elements of pubs damaged during the war or rejected by brewery owners. The stuffed lion was donated by Nikolaus Pevsner.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. The sculpture is placed in front of the staircase up to the gallery. See RIBA134066 for a colour version of this image.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. The sculpture is placed in front of the staircase up to the gallery. See RIBA134068 for a colour version of this image.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. See RIBA134060 for a black and white version of this image.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. See RIBA134062 for a black and white version of this image.

NOTES: See RIBA134078 for a colour version of this image.

NOTES: See RIBA134080 for a colour version of this image.

NOTES: The Bride of Denmark was created in 1947 in the basement of the offices of the Architectural Press (publishers of the Architects' Journal and the Architectural Review) from salvaged elements of pubs damaged during the war or rejected by brewery owners.

NOTES: The Bride of Denmark was created in 1947 in the basement of the offices of the Architectural Press (publishers of the Architects' Journal and the Architectural Review) from salvaged elements of pubs damaged during the war or rejected by brewery owners.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. See RIBA134065 for a colour version of this image.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. See RIBA134067 for a colour version of this image.

NOTES: See RIBA134059 for a black and white version of this image.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. The sculpture is placed in front of the staircase up to the gallery. See RIBA134061 for a black and white version of this image.

NOTES: Cadbury-Brown designed a new home for the Royal Academy's library in what had been the Gibson Gallery in a Victorian addition to Burlington House of 1866. Originally designed to exhibit the work of John Gibson RA, the redesigned space provides bookshelves on the main level and a gallery in addition to reading room and staff desks. The sculpture is placed in front of the staircase up to the gallery. See RIBA13406 for a black and white version of this image.

NOTES: See RIBA134076 for a colour version of this image.

NOTES: See RIBA134079 for a colour version of this image.