NOTES: Henry Hoare II, a banker who had been on the Grand Tour, inherited Stourhead in 1741and was largely responsible for the design of the gardens. He employed Henry Flitcroft to design many of the garden buildings in the 1740s. The River Stour was dammed to form the great lake and was completed in 1757. The Pantheon, also designed by Henry Flitcroft, was built in 1756.

NOTES: Palazzo Borromeo was commissioned by Carlo III in 1632 and dedicated to his wife Isabella D'Adda, from whom the island takes its name. Construction of the house and design of its gardens was entrusted to Angelo Crivelli and completed by Carlo Fontana. The gardens were inaugurated in 1671.

NOTES: Campbell originally intended to build a single house for himself but, owing to economic pressures, he built two more in the 1930s (Gate House and Point Head Cottage) and planned a whole development. The design for Chapel Point House evolved during the building process, becoming larger than originally envisioned. This image is a print with colour washes added.

NOTES: Newton designed alterations and additions to a house built around 1830 matching the existing house. His additions consisted largely of a service wing.

NOTES: Palazzo Borromeo was commissioned by Carlo III in 1632 and dedicated to his wife Isabella D'Adda, from whom the island takes its name. Construction of the house and design of its gardens was entrusted to Angelo Crivelli and completed by Carlo Fontana. The gardens were inaugurated in 1671.

NOTES: Nesfield was commissioned by the Mount-Temple family to redesign and extend the earlier villa of Babbacombe Cliff, transforming it into the house illustrated in these designs. Its decoration included tiles by William Morris and a painted window by Edward Burne-Jones. Oscar Wilde was a regular visitor to the house.

This locomotive was named 'Gordon Highlander' in 1964, renumbered as 55016 in 1974 and now preserved.

NOTES: Designed in 1968 by Neave Brown of Camden Council's Architects Department, this multi-family, 8-storey council housing estate, properly known as the Alexandra and Ainsworth estate, was built between 1972 and 1979.

NOTES: Nesfield was commissioned by the Mount-Temple family to redesign and extend the earlier villa of Babbacombe Cliff, transforming it into the house illustrated in these designs. Its decoration included tiles by William Morris and a painted window by Edward Burne-Jones. Oscar Wilde was a regular visitor to the house.

NOTES: The later note on this drawing indicates that this is a copy of a Barry drawing done in the office by George Somers Clarke.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.

NOTES: The church is 13th century, but rebuilt in late 14th and early 15th century. The tower dates from a rebuilding of 1617-1619. The interior of the nave was restored in 1867 and 1893-1894.